Paul CrochatSculptor
Paul Crochat
FRENES
Cart
Monumental

Monumental sculpture, made to order

Some pieces will never fit in a display case. Carved from wood or stone, they take their place in a garden, a courtyard, a lobby, a public square. Paul Crochat makes them to order, one at a time.

Sculpture monumentale : six visages d une même famille taillés dans un tronc
Six faces from one family, carved into the trunk of a tree that was theirs.

A work conceived for a place

A monumental sculpture is not chosen from a catalogue. It grows out of a specific place, a certain light, a purpose: what you wish to mark, where the work will stand, how it will be seen from afar and up close.

The material comes next. Wood or stone, worked by direct carving, without mould or reproduction. Each piece is unique and will remain so: none is produced as a series.

Détail d une sculpture monumentale en bois, taillée directement dans le tronc
Direct carving: the form is sought in the wood itself, with no mould or copied model.

Who these commissions are for

Private clients

A piece for a garden, an entrance, a family place — sometimes carved from a tree that mattered to you.

Public bodies

A memorial, a sculpture for a square, a landmark at the entrance to a town.

Companies

A work to greet visitors, a presence in a lobby or grounds, a piece presented at an event.

Two commissions

Totem sculpté directement dans la souche d un arbre, dans un jardin privé
For a private client: the stump stayed in the ground and became a sculpture.
Colonne de bois sculptée d un héron, de poissons et d un écureuil, installée dans un espace vert public
In a public space: heron, fish and squirrel echo the wildlife of the site.

How a commission works

It begins with a conversation: the place, the intention, the constraints, the budget. Paul then suggests a direction — material, dimensions, a sketch — before any commitment. The work is then carved at the workshop in Montrond-les-Bains, France.

Transport and installation are considered case by case, depending on the weight of the work and access to the site. Timescales depend on the piece: a monumental sculpture is measured in weeks, sometimes months.